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Unknown
First published: July 1, 2025 - Last updated: July 1, 2025
TITLE INFORMATION
Editors: Yiru Lim and Kit Ying Lye
Title: Reading Violence and Trauma in Asia and the World
Subtitle: -
Place: New York and London
Publisher: Routledge
Year: 2025
Pages: 236pp.
Series: Routledge Literary Studies in Social Justice
ISBN-13: 9781032628820 (hbk.) -
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ISBN-13: 9781032628868 (pbk.) -
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ISBN-13: 9781032628875 (ebk.) -
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WorldCat
Language: English
Keywords:
Modern History:
21st Century |
Asian History |
Representations:
Literary Texts
FULL TEXT
Links:
- Google Books (Limited Preview)
- Taylor & Francis Online (Restricted Access)
ADDITIONAL INFORMATION
Editors:
-
Yiru Lim,
Department of Core Learning,
Singapore University of Social Sciences -
Google Scholar
-
Kit Ying Lye,
Department of Core Learning,
Singapore University of Social Sciences -
Academia.edu,
ResearchGate
Contents:
|
List of Illustrations (p. ix) |
|
List of Contributors (p. xi) |
|
Acknowledgments (p. xv) |
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Introduction: Reading Trauma and Violence: Expanding Horizons Yiru Lim and Kit Ying Lye (p. 1) |
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Part 1 Imagining and Reimagining (p. 9) |
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1 The Human Inclination Toward Violence and Where We Stand in the Age of Mass Consumption Michael Kearney (p. 11) |
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2 Fictional Testimonies: Narrative Structures of Resistance in White Chrysanthemum and How We Disappeared W. Michelle Wang (p. 25) |
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3 Fictive Realities: Witnessing and the Imagination in The Seven Moons of Maali Almeida Yiru Lim (p. 38) |
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4 Representing Anthropocene Trauma: Disaster Narratives of the Bhopal Gas Tragedy in Indian Cinema Sony Jalarajan Raj and Adith K. Suresh (p. 50) |
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5 The Unbearable Lightness of the Future-Shock-Myth-Traumatized Swallowers: A Reading of the Assassination of Shinzo Abe Setsuko Adach (p. 63) |
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Part 2 Remembering and Forgetting (p. 77) |
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6 National Identities, Hybrid Postmemory, and Cultural Remediation in Akira Mizubayashi's Novel Reine de Coeur Priscilla Charrat-Nelson (p. 79) |
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7 Giving a Voice Back to the Families of Soviet ‘Public Enemies’ Through Postmemory Graphic Narratives Iana Nikitenko (p. 91) |
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8 The Telling of Violence, and the Violence of the Telling: Narrative and the Choice to Forget in Tan Twan Eng’s The Garden of Evening Mists Claudia J. M. Cornelissen (p. 107) |
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9 Mass Graves and Topography: Narrating Violence through the Visible Reminders of the Nellie Massacre, 1983 Jabeen Yasmeen (p. 118) |
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10 Refugee Poetics: Reassembling the Syrian Identity on Digital Media Waed Hasan (p. 130) |
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Part 3 Reclaiming and Telling (p. 141) |
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11 Beyond the Impossibility of Representation: Aesthetic Politics in Yun Ch’oe’s There a Petal Silently Falls Heejung Kang (p. 143) |
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12 Words Stuck in the Throat: The Paradox of Deep Silence and Narrative Plenty in Postwar Lebanese Fiction Renée Ragin Randall (p. 155) |
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13 Speaking the Unspeakable in Nora Okja Keller’s Comfort Woman Judy Joo-Ae Bae (p. 167) |
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14 Listening to Lost Voices: Reading Wartime Rape in Vyvyane Loh’s Breaking the Tongue Nicole Ong (p. 178) |
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15 “We Must Find a Way to Do More Than Endure”, Silence as Resistance in Charmaine Craig’s Miss Burma Kit Ying Lye (p. 190) |
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16 Tasting Loss Joy Xin Yuan Wang and Hairuo Jin (p. 202) |
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Index (p. 213) |
Description:
»This collection casts the spotlight on Asia and its place in global studies on trauma to explore the ways in which violence and trauma are (re)enacted, (re)presented, (re)imagined, reconciled, and consumed through various mediums in the region. The discussions revolve around the ethics of representing and discussing trauma as we negotiate the tensions between trauma and political, historical, literary, and cultural representations in written, visual, digital, and hybrid forms. It examines how perspectives about trauma are framed, perpetuated, and/or critiqued via theories and research methods, and how a constructive tension between theory, method, and experience is essential for critical discourse on the subject. It will discuss varied ways of understanding violence through multidisciplinary perspectives and comparative literature, explore the "violent psyches" of narratives and writings across different mediums and platforms, and engage with how violence and trauma continue to influence the telling and form of such narratives.«
(Source: Routledge)
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